Improv Is Easy!

(Then why is it so hard?)

Posts tagged Laughter

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This is a bit of a weird question to ask because it has less to do with improv itself and more with a secondary aspect of improv. I am a few months into my first stint on a house team at one of the three improv theaters in NY (for the sake of anonymity I won’t say which one) and it has been going great. I love my team and the shows I have been part of have been fantastic. Lately though I have had a small issue with cracking or laughing on stage. Got any tips for not cracking during a set?

Check out this older post (and reblogs and the other link listed) about laughing while performing.
And congratulations on the house team!
Ask improv-is-easy a question!

This is a bit of a weird question to ask because it has less to do with improv itself and more with a secondary aspect of improv. I am a few months into my first stint on a house team at one of the three improv theaters in NY (for the sake of anonymity I won’t say which one) and it has been going great. I love my team and the shows I have been part of have been fantastic. Lately though I have had a small issue with cracking or laughing on stage. Got any tips for not cracking during a set?

Check out this older post (and reblogs and the other link listed) about laughing while performing.

And congratulations on the house team!

Ask improv-is-easy a question!

Filed under improv comedy laughing laughter breaking

20 notes



I can’t stop laughing in the middle of scenes!It’s a note that I’ve gotten several times, and now I’ve become very aware of all the giggling I’m doing. I know that I also need to work on committing more to my characters, so I’m hoping that focusing on that will take care of the laughing… or is there another way?


Commitment definitely helps!
I’ve written about this before (here — and it might be worth checking out the additional advice on the reblogs), and here it is again. Hope this helps!

Yes, commit harder! Chances are your character doesn’t find the situation funny, so buckle down and get angrier/hungrier/wigglier. The laughter fuels you. Feed your wiggliness. I’M SERIOUS, AND SO IS YOUR CHARACTER.
If you’re laughing, treat it like your character is laughing. Why don’t characters laugh more often in improv?! They do just about everything else. When you follow this, you haven’t “broken” in the scene, you’re using your natural reaction, which we stifle too much in improv anyways.
Or… turn that laughter into something else - crying, sneezing, coughing, yelling, etc. Then use it in the scene.
Bite the inside of your cheeks or discreetly pinch yourself. I used to do this.
Cover your mouth. I often go into what I call “Jack Benny pose” and touch my face if I’m close to breaking. It helps.
Laughter can be a homing beacon to get you to focus. (You’ll have to create a better metaphor that works for you.) For me, it’s a chance to tune in to what people find enjoyable. It gets me in flow, and with experience/muscle memory you’ll not be distracted by it, but the opposite.
This might be my own personal note than anything else: don’t look at your teacher or coach. 1) It weirds me out when that happens, but 2) the sight of them laughing can be contagious. So when your teacher laughs, you have to ignore them as a character, while acknowledging it as a performer. You don’t tune them out, you tune in. (It can be tough, I know.)

I can’t stop laughing in the middle of scenes!It’s a note that I’ve gotten several times, and now I’ve become very aware of all the giggling I’m doing. I know that I also need to work on committing more to my characters, so I’m hoping that focusing on that will take care of the laughing… or is there another way?

Commitment definitely helps!

I’ve written about this before (here — and it might be worth checking out the additional advice on the reblogs), and here it is again. Hope this helps!

  • Yes, commit harder! Chances are your character doesn’t find the situation funny, so buckle down and get angrier/hungrier/wigglier. The laughter fuels you. Feed your wiggliness. I’M SERIOUS, AND SO IS YOUR CHARACTER.
  • If you’re laughing, treat it like your character is laughing. Why don’t characters laugh more often in improv?! They do just about everything else. When you follow this, you haven’t “broken” in the scene, you’re using your natural reaction, which we stifle too much in improv anyways.
  • Or… turn that laughter into something else - crying, sneezing, coughing, yelling, etc. Then use it in the scene.
  • Bite the inside of your cheeks or discreetly pinch yourself. I used to do this.
  • Cover your mouth. I often go into what I call “Jack Benny pose” and touch my face if I’m close to breaking. It helps.
  • Laughter can be a homing beacon to get you to focus. (You’ll have to create a better metaphor that works for you.) For me, it’s a chance to tune in to what people find enjoyable. It gets me in flow, and with experience/muscle memory you’ll not be distracted by it, but the opposite.
  • This might be my own personal note than anything else: don’t look at your teacher or coach. 1) It weirds me out when that happens, but 2) the sight of them laughing can be contagious. So when your teacher laughs, you have to ignore them as a character, while acknowledging it as a performer. You don’t tune them out, you tune in. (It can be tough, I know.)

Filed under laughter laughing breaking comedy improv

10 notes

Laughing During Scenes
This is such a great problem to have (especially for a newer improviser) that to me it’s basically a non-problem.
Sometimes people are made to feel bad about laughing during their scenes, and I really don’t get it. Like I said before, laughter is a contagious expression of happiness. And audiences (non-asshole audiences, at least) tend to be much more forgiving of breaking in scenes than teachers or coaches.
BUT… it’s a good habit to break, if only because it makes your scenes better.
Like, given the choice between two performers on stage having a great time and laughing along with the audience vs. two performers staying totally straight-faced as the audience dies laughing, we’d probably choose the latter. 
How to do it, though? I dunno! I’m still bad about this, nine years later. I broke pretty hard during Friday’s Made-Up Musical, for example. But here are some tips…
Yes, commit harder! Chances are your character doesn’t find the situation funny, so buckle down and get angrier/hungrier/wigglier. The laughter fuels you. Feed your wiggliness. I’M SERIOUS, AND SO IS YOUR CHARACTER.
If you’re laughing, treat it like your character is laughing. Why don’t characters laugh more often in improv?! They do just about everything else. When you follow this, you haven’t “broken” in the scene, you’re using your natural reaction, which we stifle too much in improv anyways.
Or… turn that laughter into something else - crying, sneezing, coughing, yelling, etc. Then use it in the scene.
Bite the inside of your cheeks or discreetly pinch yourself. I used to do this.
Cover your mouth. I often go into what I call “Jack Benny pose” and touch my face if I’m close to breaking. It helps.
Laughter can be a homing beacon to get you to focus. (You’ll have to create a better metaphor that works for you.) For me, it’s a chance to tune in to what people find enjoyable. It gets me in flow, and with experience/muscle memory you’ll not be distracted by it, but the opposite.
This might be my own personal note than anything else: don’t look at your teacher or coach. 1) It weirds me out when that happens, but 2) the sight of them laughing can be contagious. So when your teacher laughs, you have to ignore them as a character, while acknowledging it as a performer. You don’t tune them out, you tune in. (It can be tough, I know.)
Whew, wordy, but I hope it was worth it. Hopefully some people will reblog with their own advice. Thanks for asking such a great question, Aimee!

Laughing During Scenes

This is such a great problem to have (especially for a newer improviser) that to me it’s basically a non-problem.

Sometimes people are made to feel bad about laughing during their scenes, and I really don’t get it. Like I said before, laughter is a contagious expression of happiness. And audiences (non-asshole audiences, at least) tend to be much more forgiving of breaking in scenes than teachers or coaches.

BUT… it’s a good habit to break, if only because it makes your scenes better.

Like, given the choice between two performers on stage having a great time and laughing along with the audience vs. two performers staying totally straight-faced as the audience dies laughing, we’d probably choose the latter. 

How to do it, though? I dunno! I’m still bad about this, nine years later. I broke pretty hard during Friday’s Made-Up Musical, for example. But here are some tips…

  • Yes, commit harder! Chances are your character doesn’t find the situation funny, so buckle down and get angrier/hungrier/wigglier. The laughter fuels you. Feed your wiggliness. I’M SERIOUS, AND SO IS YOUR CHARACTER.
  • If you’re laughing, treat it like your character is laughing. Why don’t characters laugh more often in improv?! They do just about everything else. When you follow this, you haven’t “broken” in the scene, you’re using your natural reaction, which we stifle too much in improv anyways.
  • Or… turn that laughter into something else - crying, sneezing, coughing, yelling, etc. Then use it in the scene.
  • Bite the inside of your cheeks or discreetly pinch yourself. I used to do this.
  • Cover your mouth. I often go into what I call “Jack Benny pose” and touch my face if I’m close to breaking. It helps.
  • Laughter can be a homing beacon to get you to focus. (You’ll have to create a better metaphor that works for you.) For me, it’s a chance to tune in to what people find enjoyable. It gets me in flow, and with experience/muscle memory you’ll not be distracted by it, but the opposite.
  • This might be my own personal note than anything else: don’t look at your teacher or coach. 1) It weirds me out when that happens, but 2) the sight of them laughing can be contagious. So when your teacher laughs, you have to ignore them as a character, while acknowledging it as a performer. You don’t tune them out, you tune in. (It can be tough, I know.)

Whew, wordy, but I hope it was worth it. Hopefully some people will reblog with their own advice. Thanks for asking such a great question, Aimee!

Filed under Improv Comedy Jack Benny Laughter Breaking